Description In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of th...(展开全部)

Description In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of th...(展开全部)

Gilles Deleuze famously declared himself to be a "pure metaphysician" in an era when philosophy seemed preoccupied by the theme of overcoming metaphysics. As a consequence, perhaps, we have scarcely begun to explore the implications of the immanent metaphysics that Deleuze developed almost half a century ago. Alain Beaulieu, Edward Kazarian, and Julia Sushytska have here brough...(展开全部)

Gilles Deleuze, a major figure in the intellectual history of the late-20th century, inaugurated the radical non-Hegelianism that has marked French intellectual life during the past three decades. Many poststructuralist and postmodernist practices can be traced to Deleuze's 1962 resurrection of Nietzsche against Hegel. Hardt shows how Deleuze's early analysis of Bergson's criti...(展开全部)

Gilles Deleuze, a major figure in the intellectual history of the late 20th century, inaugurated the radical non-Hegelianism that has marked French intellectual life during the past three decades. Many poststructuralist and postmodernist practices can be traced to Deleuze's 1962 resurrection of Nietzsche against Hegel. Hardt shows how Deleuze's early analysis of Bergson's criti...(展开全部)

This text takes up Deleuze's most powerful argument on the task of contemporary philosophy in the West. Deleuze argues that it is only through a creative engagement with the forms of non-philosophy - notably modern art, literature and cinema - that philosophy can hope to restore the broken links of perception, language and emotion. In a sequence of essays, Gregg Lambert analyse...(展开全部)

Miguel de Beistegui identifies the impetus and driving force behind Deleuze's philosophy and its concepts. By returning Deleuze's thought to its source--or, following Deleuze's own vocabulary, to what he calls the event of that thought--Beistegui extracts its inner consistency: immanence. Chapters dealing with the status of thought itself, ontology, logic, ethics, and aesthetic...(展开全部)

Miguel de Beistegui identifies the impetus and driving force behind Deleuze's philosophy and its concepts. By returning Deleuze's thought to its source--or, following Deleuze's own vocabulary, to what he calls the event of that thought--Beistegui extracts its inner consistency: immanence. Chapters dealing with the status of thought itself, ontology, logic, ethics, and aesthetic...(展开全部)